Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Wolff, Christoph | Bach from 1985 to 2000. |
EarlyM |
13 | 2 | May 1985 |
162-164 |
|
| 2. | Kenyon, Nicholas | A Bach family portrait? |
EarlyM |
13 | 2 | May 1985 |
164 |
|
| 3. | Wolff, Christoph | Bach's Leipzig Chamber Music. |
EarlyM |
13 | 2 | May 1985 |
165-175 |
|
| 4. | Marshall, Robert L. | Bach's 'Orchestre'. |
EarlyM |
13 | 2 | May 1985 |
176-179 |
|
| 5. | Schulze, Hans-Joachim | The French influence in Bach's instrumental music. |
EarlyM |
13 | 2 | May 1985 |
180-184 |
|
| 6. | Stauffer, George B. | Bach as reviser of his own keyboard works. |
EarlyM |
13 | 2 | May 1985 |
185-198 |
|
| 7. | Stinson, Russell | J. P. Kellner's copy of Bach's sonatas and partitas for violin solo. |
EarlyM |
13 | 2 | May 1985 |
199-211 |
|
| 8. | Crist, Stephen A. | Bach's début at Leipzig. Observations on the genesis of Cantatas 75 and 76. |
EarlyM |
13 | 2 | May 1985 |
212-226 |
|
| 9. | Leaver, Robin A. | Bach and hymnody. The evidence of the Orgelbüchlein. |
EarlyM |
13 | 2 | May 1985 |
227-236 |
|
| 10. | Dreyfus, Laurence | The metaphorical soloist: Concerted organ parts in Bach's cantatas. |
EarlyM |
13 | 2 | May 1985 |
237-247 |
|
| 11. | Hill, Robert | 'Echtheit angezweifelt'. Style and authenticity in two suites attributed to Bach. |
EarlyM |
13 | 2 | May 1985 |
248-255 |
|
| 12. | Cyr, Mary | Bach's Music in France: A New Source. |
EarlyM |
13 | 2 | May 1985 |
256-259 |
|
| 13. | Searle, Arthur | Manuscripts and Printed Books. |
EarlyM |
13 | 2 | May 1985 |
267-268 |
|
| 14. | Addington, Christopher | The Baroque flute. |
EarlyM |
13 | 2 | May 1985 |
331,333,335 |
|
| 15. | Marissen, Michael | A Trio in C major for recorder, violin and continuo by J. S. Bach? |
EarlyM |
13 | 3 | Aug 1985 |
384-390 |
|
| 16. | Roe, Stephen | Bach in Berlin. |
EarlyM |
13 | 4 | Nov 1985 |
611-612 |
|